GalleyCat reports from a Stephenie Meyer blog tour that the author is having trouble completing Midnight Sun, the next entry in her mega-bestselling vampire series:
What’s true is that I’m really burned out on vampires. And, I don’t want to write it badly. So I want to wait until I’m excited about the material again, and I’m excited about Edward, and that it’s something that’s motivating. You know, when a story is keeping me up at night, and I’m waking up at 4 am in the morning and thinking ‘Yes! That is what is what should happen in this moment!’ Then that is when I can write with happiness! So, right now it feels like homework … it really does. And when things feel like homework they go very, very slowly for me.
Ms. Meyer has discovered what most authors already know: Writing is HARD WORK! It’s made even harder when you have deadlines and real life to worry about. Meyer has neither, really. I’m sure she’s still a good mom and all, but I’m thinking, one way or another, she really doesn’t need to worry about paying the bills, providing helth insurance for her family, carpooling, or clipping coupons before going grocery shopping these days. (For one thing, her husband retired to take care of their three sons.) Instead, she has a different type of burden: she’s a franchise, a brand name. Other people’s jobs and incomes depend on her performing her JOB.
Yup. Writing is her job now. To expect to be excited and happy about your job day in and day out is probably a bit unrealistic, even if you love it most of the time.
Thing is, Meyer has a choice: Even though she’s only 36, she and her family are set for life (probably for a couple of generations if they are fiscally responsible and well-advised). She can quit. She can give up her job and do whatever she wants. Hachette/Little, Brown and Company would not be happy about this, but they’d survive. Hollywood would survive. Her fans would live, too.
Meyer has always been honest about her initial publishing naivety. She also knows she has been very lucky (although, personally, I don’t think she realizes just how lucky, but then most people in her position wouldn’t). Maybe she’s now learning she was pretty naive about writing as a career, too.
She has options. Most folks don’t.
Me? I’d be more than happy to sell only a few million books (instead of tens of millions), maybe make one lucrative film deal (instead of multiple deals and licensing), and then do whatever the heck I wanted. If I still wanted to write — I would write whatever I wanted to write.
How about you?